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The Tourist, oil on canvas by Jack Vettriano O.B.E

NOTES FROM A
TRAVELLER

Welcome to the  journal and notes of Grace Lambert-Phillips.

 

Grace started writing when she was around 8 years old, and wrote her first short story, typed and illustrated, from her bedroom floor. She became a traveller around the same time, even though for a while it was only in her stories until she was big enough to explore the world. Now she is living in Italy writing about her travels, discoveries and adventures. Sometimes she still writes from a floor, but more often she writes from her studio in Tuscany or on the move at some table somewhere. But the important thing, she realised a long time ago, was always to write and do it wherever she was.

The Tuscany Collection

A revisitation of the Grand Tour, my observations of tourism during the lockdown months, and the deepening bond I've formed with this land—this is the record I have to share. I present a selection of 10 images, each one a reflection of my journey through and with Tuscany. These photographs capture not just the beauty of the landscapes, but the quiet moments and profound experiences that have shaped my connection to this remarkable place.


Over these past two years, I’ve immersed myself in the rhythms of Tuscany, like a friendship that deepens with time. At first glance, the visual beauty captivates, but the true journey lies in the layers beneath, waiting to be uncovered. It feels like a connection that will last a lifetime.


As the hot summers blended into cool autumn days, the colours transformed —more vivid and enchanting than any photograph could capture. My experience was further shaped by the lockdown, offering a unique perspective in the unfolding story. The emptiness of the streets gifted me with the rare opportunity to explore Tuscany without the usual crowds of tourists. A local Florentine aptly referred to the city as a 'circus,' and I found myself questioning what that meant for its essence and culture.


In my quest to uncover the true Florentine spirit, I embarked on a project called 'The Florentines.' I interviewed locals to learn about their experiences and what it means to live in a city often overshadowed by tourism. I realized that in a culture where tourism has taken a toll, finding authenticity requires a deeper dive.


During those early months, I often found solitude on the Ponte Vecchio, a place usually teeming with people. The quiet allowed me to truly appreciate the beauty of Vasari's Corridor bathed in afternoon sunlight, and I saw Hercules gazing over the empty Piazza della Signoria, surrounded only by pigeons.

As 2021 unfolded, I witnessed the gradual return of travellers. The city began to buzz again, but it was a different kind of busy—not the overwhelming crowds of previous years. This shift gave me space to reflect on what it means to truly connect with a place, capturing moments that resonate far beyond the surface.




Throughout that year, the tourists steadily returned, primarily from Europe, until students returned in the autumn to resume their studies. Slowly, the city began to reclaim its tourist identity, with 2022 seeing even larger numbers than before, and reports of a longer season. Yet, amidst this ebb and flow, I felt the true pulse of the city—walking among the locals, I was able to see beyond the tourism, but this was challenging as I could see the way it was beginning to overwhelm.


But Tuscany continually amazes me with its resilience. The culture and traditions endure, often thriving despite the challenges, while nature reveals its beauty in each passing month. The rolling hills, the breathtaking sunsets, and the rich harvests remind me of the depth this place offers. It invites you to ground yourself, to truly connect with its essence.


As the peak tourist season unfolded, I met a diverse array of travellers drawn by the promise of the dolce vita. Many come chasing that dream, and I understand why. However, I’ve come to realize that the essence of this dream isn’t found in hurried visits to famous landmarks or long queues on hot days. Instead, it lives in those quiet moments—when time seems to pause, and you wait, not in a queue but just like in the moment.





You don't find the dolce vita, it finds you if you are quiet and patient enough to let it in. The photographs in The Tuscany Collection are some of those moments, each one breathed, each one lived.



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